Tintoretto
Italian Mannerist Painter, ca.1518-1594 His father was a silk dyer (tintore); hence the nickname Tintoretto ("Little Dyer"). His early influences include Michelangelo and Titian. In Christ and the Adulteress (c. 1545) figures are set in vast spaces in fanciful perspectives, in distinctly Mannerist style. In 1548 he became the centre of attention of artists and literary men in Venice with his St. Mark Freeing the Slave, so rich in structural elements of post-Michelangelo Roman art that it is surprising to learn that he had never visited Rome. By 1555 he was a famous and sought-after painter, with a style marked by quickness of execution, great vivacity of colour, a predilection for variegated perspective, and a dynamic conception of space. In his most important undertaking, the decoration of Venice's Scuola Grande di San Rocco (1564 C 88), he exhibited his passionate style and profound religious faith. His technique and vision were wholly personal and constantly evolving.

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Tintoretto Women Playing Music oil painting


Women Playing Music
Oil on canvas, 142 x 214 cm
Painting ID::  43615
Tintoretto
Women Playing Music
Oil on canvas, 142 x 214 cm
   
   
     

Tintoretto Ariadne, Venus and Bacchus oil painting


Ariadne, Venus and Bacchus
1576 Oil on canvas, 146 x 157 cm
Painting ID::  44394
Tintoretto
Ariadne, Venus and Bacchus
1576 Oil on canvas, 146 x 157 cm
   
   
     

Tintoretto Esther before Ahasuerus oil painting


Esther before Ahasuerus
Oil on canvas, 207,4 x 273 cm
Painting ID::  44405
Tintoretto
Esther before Ahasuerus
Oil on canvas, 207,4 x 273 cm
   
   
     

Tintoretto The Last Supper oil painting


The Last Supper
mk176 1592-94 Oil on canvas 365.7x568.9cm
Painting ID::  44902
Tintoretto
The Last Supper
mk176 1592-94 Oil on canvas 365.7x568.9cm
   
   
     

Tintoretto The festival of the Belschazzar oil painting


The festival of the Belschazzar
MK186 around 1541/42 Verona Museo di Castelvecchio
Painting ID::  45411
Tintoretto
The festival of the Belschazzar
MK186 around 1541/42 Verona Museo di Castelvecchio
   
   
     

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     Tintoretto
     Italian Mannerist Painter, ca.1518-1594 His father was a silk dyer (tintore); hence the nickname Tintoretto ("Little Dyer"). His early influences include Michelangelo and Titian. In Christ and the Adulteress (c. 1545) figures are set in vast spaces in fanciful perspectives, in distinctly Mannerist style. In 1548 he became the centre of attention of artists and literary men in Venice with his St. Mark Freeing the Slave, so rich in structural elements of post-Michelangelo Roman art that it is surprising to learn that he had never visited Rome. By 1555 he was a famous and sought-after painter, with a style marked by quickness of execution, great vivacity of colour, a predilection for variegated perspective, and a dynamic conception of space. In his most important undertaking, the decoration of Venice's Scuola Grande di San Rocco (1564 C 88), he exhibited his passionate style and profound religious faith. His technique and vision were wholly personal and constantly evolving.

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